Candy Hearts 2026

[wolffyluna]

Hello, person who is assigned to me or considering making a treat! No matter what you make, I'm probably going to really like it, but I know it's much easier to come up with an idea if you've got some guidance.

Length of prompts is not related to how much I like any character or group, and more related to how much I can ramble about them off the top of my head. Also, feel free to do whatever you want. If for example, I mention wanting fluff for a character, but you have an angsty idea you really want to do, go for it!

My ao3 account and my tumblr are both wolffyluna, if you want to have a look at them to get ideas.

Notes for Pinch Hitters

Heaven Will Be Mine is a visual novel that takes about 6 hours to play through all the routes.

Sha Po Lang is a novel, that in print takes up five volumes, to give a sense of the size of it.

Vampires SMP is a multi creator youtube series, and you would only need to see one creator’s POV to have enough information to write fic. Each series is around eight episodes of 40-120 minutes long.

Baldur’s Gate 3 is a computer rpg that takes about 80 hours to play.

Contents

Likes:

• General Likes
• Art Likes
• Smut Likes
• DNWs

Fandoms:

• Baldur’s Gate 3
• Heaven Will Be Mine
• Original Works
• Sha Po Lang - priest
• Vampires SMP

General Likes:

• I like the whole gamut from fluff with a minor conflict to angst that gets resolved to completely tragic tragedies. - Tragedies that are inevitable and tragedies where the ground work for them was laid well before anyone could predict the tragic outcome, so as soon as the characters know a tragic outcome is a possibility it is too late, are both very good. - As are bittersweet endings, or angst with a happy ending
• Hurt/comfort - I like comforters who are being/trying to be relentlessly practical, or who express their care for the comfortee through actions more than words. - comforters and comfortees trying to be stoic (and not necessarily succeeding). - comforters and comfortees pretending that what is going on has nothing to do with one of them being hurt, they’re just being randomly nice/ they’re not hurt at all! - comfort after nightmares/panic attacks/other PTSD symptoms is very good. Especially nightmares. (Nightmares are such a good vehicle for revealing things about a character.) - As is comfort after more recent traumatic events, such as tending injuries after a battle or a character has been rescued from captivity
• I am a big fan of the hurt being a character having a minor illness or injury that isn’t particularly concerning but does make them feel miserable
  • wound tending is also great h/c. I love the intimacy of dressing wounds, it’s so good.
• Mutual pining/wanting to get together but not be able because [reason], with [reason] being resolved at the end (example reasons: mistaken identity, “I am your boss and it would be unethical”, but in general I am not picky about this dynamic)
  • (Or, of course “I should not take advantage of you!” “You are very much not taking advantage of me, what are you talking about?”)
• Kissing! Forehead kisses, kisses on the cheek, full on make outs: kissing is great!
• Cuddling! I feel the same way about cuddling as I do about kissing! It’s all good. I especially like characters falling asleep leaning against each other. Or characters holding each other, or a character resting their cheek or chin against the other.
• I like exploring the messed up dynamics and/or the terrible-idea-ness of the relationship, if applicable.
• Characters giving into temptation, eg knowing that a particular relationship is a bad idea, or would be breaking their vow of chastity, but going into it anyway.
• Politics! I love characters trying to navigate it, the tension between their political persona and they’re actual persona, the ethical dilemmas of power, all of it!
• Loyalty, fealty, feudalism, ‘is it gay or just feudalism?’. Dramatic expression of loyalty. Intense loyalties, conflicted loyalties: they're all good.
• Two characters sharing a body
• Dancing, either partner dances or just both people happening to dance at the same time.
• Hair, hair brushing and hair braiding.
• Crossdressing

• Religion, religious discussions and worldbuilding about religion.

  • I am not invested in any particular religion being right or wrong in a given particular fictional work or world, and I am happy with whatever interpretation you would like to pick. I’ll be thrilled either way!
  • I am interested in this for both fictional and real world religions

• Horses! Whether they're just in the background, or are a major part of the art/plot. I love horses. You cannot go wrong with horses. Do not be intimidated, I do not expect Wealths of Equine Knowledge fics. If there is horse there, and it gets patted or ridden, I will be very happy.

• Pet rats
• “What if X happened instead of what happened in canon?”/”What if Y didn’t die?”/canon divergence AUs
• Crying
• Geology. Plot relevant rocks, people giving each other rocks, rampant geological symbolism: it’s all good.
• Third and second person POV
• complicated gender and sexuality situations, world building around sexuality and gender. I like fictional homophobia and transphobia (but if you want a to worldbuild an accepting world, go right ahead!) I also like characters who do not fit neatly into buckets, either in their or our society.

Art Likes:

• As a general note: anything I’ve mentioned in my general likes (or smut likes), I also like in art. I’ve copied over most of the relevant likes over here as well, so they’re easy to find, but if there’s something in the above list that takes your fancy as something to put in art, go right ahead!
• I am big fan on drawings/re-drawings of canon scenes. If you’ve got a moment in canon you’ve been dying to draw, I would love to see it.
• Kissing! Forehead kisses, kisses on the cheek, full on make outs: kissing is great!
• Cuddling! I feel the same way about cuddling as I do about kissing! It’s all good. I especially like characters falling asleep leaning against each other.
• Characters resting their heads against each other
• Hair, hair brushing and hair braiding.
• Crying
• For art, I like coloured lighting and unusual/restricted palettes.
• I also like intense colours and contrast in art
• I like both digital and traditional art
• Dancing, either partner dances or just both people happening to dance at the same time.
• Horses! Whether they're just in the background, or are a major part of the art/plot. I love horses
• Pet rats
• Crossdressing
• Symbolic representations of relationship dynamics
• Tarot style or tarot inspired art
• Pixel art
• Comics

Smut Likes:

• Oral, intercrural, anal and vaginal sex are all good (though I have a particular soft spot for the first two).
• People being supernaturally horny, for example sex pollen or omegaverse/heatverses.
  • All consuming heats that take over people’s brains are also very very good, especially if they are intermixed with being overwhelmed.
    • Also deliberate use of sex pollen, either by the people sex pollenening themselves, or an antagonist doing it
    • In omegaverse, I like knots and ludicrous amounts of slick, but can take or leave omega oppression/gender roles, claiming and scent stuff.
• Rope bondage.
• Explicit negotiation. (Even deeply dorky negotiation)
• Consentacles
• Hair kink/focus on hair.
• Praise kink
• Mild sadism and masochism/painplay. (For example: whipping? Yes please! Whipping until the skin is stripped off a character’s back: no thank you. In general, extreme pain or injuries that can’t fully heal is past what I’d like it (though in a setting with magical healing, I’m more comfortable with more extreme things if it’s established the characters will be healed.))
• Ritual sex/deliberately public sex (ie, the public intended to be there to watch)
• Exhibitionism where the audience is consenting
• Consensual free use, in the sense of a character being sexually available to whoever (though maybe only in specific circumstances eg at a specific party)
• “Forced” orgasms, multiple orgasms, orgasm control/denial, and chastity kink
• Crossdressing
• Sex toys and fucking machines
• Overstimulation/being overwhelmed with sensation. ‘Getting fucked out of their brains’
• Crying, either due to overstimulation or due to high emotions
• Size kink, both of the large penises/dildos/penetrating things and the small penises/dildos/penetrating things varieties.
  • stomach bulges are a lovely bonus to ‘very big’ size kink
  • but small does have the appeal of “and we do not have to think very hard about how were are going to get this into the relevant place”
• ‘Thank God We Lived’ Sex
• D/s, especially when the dom is of a more caring flavour

DNWs:

• Torture being portrayed as effective/achieving goals
• Impregnation/pregnancy risk
  • if there is a mention of some sort of birth control, even if it just the pull out method, you will have avoided my dnw.
• Explicit underage (<18) sex
• Daddy kink/ mommy kink / family terms being used in sex (unless people are actually related)
• organised crime AUs
• out of control fires

*Baldur's Gate *

I love these spiky weirdos with universally tragic backstories. They have such fun dynamics with each other. I love characters being pushed way out of their comfort zones by trying to solve a parasite problem and then having to save the world, and in fic I love the aftermath of dealing with that. I’m also a sucker for the high fantasy weirdness of the Forgotten Realms.

NB: I have finished a standard Tav run through of the game, but am partway through a Dark Urge run. I do not mind spoilers, so if you want to write me a Dark Urge ship, please do! For the ships where I’m requesting original characters, please feel free to get as specific as you want with your Tavs and Dark Urges, including using ones from your own play through. I love reading fic and seeing art of other people’s OCs!

Shadowheart/Female Tav

I love Shadowheart early in the game, full of secrets and holes in her memory and a faith in Shar that she has by rote because what else does she have of her identity? (Love me a girl with faith. Love me a girl with religious trauma.) I love how she can turn either against or to Shar and the way that ripples through her characterisation. Also I am generally a sucker for h/c with Shadowheart, either with her as the comforter or the comforted. With Shadowheart, I will be delighted with whatever original character you write or draw for me, but I would be remiss if I did not point out that Clerics of Selune have unique romance dialogue with Shadowheart, and that I am sucker for people of enemy faiths sniping and falling in love.

*Lae’zel/ Tav *

I love her! She’s direct and brash and a fish very much out of her Creche K’liir water . I love how she’s so scared in the beginning, but people tend not to notice because she is all fight and no flight. And she’s so confident in her own and the party’s skills! I love how she’s quite direct in her desire, and willing to duel her partner in front of the camp… but she’s deeply embarassed by kissing her partner. In general, both in romantic and platonic contexts, I love how she tries so hard to hard her vulnerability under a spiky exterior. How does Tav or the Dark Urge respond to that? Do they like making her embarassed, are they just as uncomfortable with vulnerability, or something else? I’m also a sucker for her dealing with realising Vlaakith can’t defeat the Grand Design, and the fallout from her realising her life is a lie.

Tav/Wyll

I love Wyll, and his tendency towards self sacrifice and deliberately trying to live up to a heroic archetype. And the guilt! I am a sucker for the guilt, of either killing Karlach or of nearly killing Karlach and having to spend the rest of his life visibly a devil. I also love how he deliberately tries to be a fairy tale romantic partner. Wyll is on some level very performative-- he is deliberately doing the Knight in Shining Armour Rescuing People thing, and calling himself the Blade of Frontiers while doing it.

I am equally happy with him being with a Tav who is just a good person as he is, or one who starts out more evil or self serving before he rubs off on them.

Heaven Will Be Mine

Ladies kissin’ each other, and explorations of what it means to be The Other and how to respond to it... IN SPACE!

I love the worldbuilding, and all the implications that circle around the fact that is space reality is defined by whoever has the strongest personality. The way that being one of the space kids is a metaphor for being queer, and the way you can look at those sorts of things at different angles through metaphor, while at the same time all the major characters are non-metaphorically queer.

Also, ladies kissin’ in giant robots is cool.

As a general non-character specific prompt, I’d be interested in post canon fluff or h/c for any of the endings. I’d also be interested in exploring the romantic and non-romantic relationships the characters had pre-canon.

I have requested every shippy permutation of Pluto, Luna-Terra and Saturn.

Luna-Terra

I love the layers to her. She’s Memorial Foundation’s unflappable ace—who can barely feel tides and is deeply confused why so many people look up to her. Her identity is heavily constructed, and the way she appears on the outside and the way she feels are often very different, and I love that tension.

And I love how she professes to be the most realistic of the major cast, by siding with the powerhouse of Memorial Foundation, but she’s just as idealistic as Pluto when it comes down to it.

Pluto

I love idealistic characters. I love characters who are trying to live up to a messiah archetype, even though they are fallible and human and cannot completely succeed. I love powerful characters, the Mary Sues that can make the narrative whatever they want to be with a smile. I love characters who explicitly have to work on being human, on being more than human in the best ways.

It is no surprise I love Pluto.

I like the way that the image she projects, the all-loving princess of Cradle’s Graces, both matches and does not match who she actually is.

I love that in her end, she ends up making the ‘selfish’ decision, does what she wants, instead of the closest approximation of what all of humanity wants.

She’s great, is what I’m saying.

Saturn

She’s snarky, she’ll fight you, she can do awesome maths, she’ll grab you with both hands to make sure you pay attention to her. I love this incredible chaos muppet. I also love how this “I do what I want, screw what you want!” attitude is so different than how she used to be, that she used to be well behaved and then saw where that got her (it didn’t get her a ship, that’s for sure!) I’d be interested in fic that explored how she got to be the person who she currently is, or fic set in the present or future that deals with the fact that she’s a very different person than she once was, and that old self still have some gravity.

She’s an agent of chaos and hedonism and “screw you!” transhumanism and I love it.

(Though in the any of the endings, she needs to get Mercury a gift basket of some sort, because he deserves it after dealing with her in an official capacity.)

Original Works

I like fantasy settings, sci fi settings, and historical settings. I am a huge sucker for settings inspired by specific historical time periods, especially when you get into the nitty gritty. Which is to say-- if you want to write a harem fic set in what you'd get if you fired eg the Tang Dynasty and the 'I can't believe it's not butter or a harem!' of the Merovingian Dynasty at each other in the Large Hadron Collider, or write something set in Ulus Jochi but with dragons, or inspired by any time and place, please do so, I would love it. (I do also like less historically inspired fantasy and sci fi settings, if that's what you want to do!) I also love stories about relationships that happen around restraints-- restraints of gender roles or political roles or fealty or literally not being able to leave the palace. What constraints do the characters rail against? What feel like part of them and that they don't even notice? What risks are they willing to take, and what things do they feel they could never ever break? How do they get what they want while fulfilling their roles? Feel free to write a story including sexism, homophobia and or the patriarchy. Also, I am generally sucker for hurt/comfort, including characters expecting hurt and then recieving comfort, and comforters who don’t what they are doing and are trying their best, or comforters who are being comforting for manipulative political reasons (uhuh definitely.) If you include horsies, I will love you forever.

Female Adventurer/Captive Male Drow Who Wants Her To Keep Him (OW) *Male Drow Used To Being A Disappointment/His Female Captor Who Thinks He's Pretty Great (OW) * *Stern Female Warlord/Terrified Virginal Male Drow Concubine (OW) *

What can I say, I am a sucker for matriarchal worldbuilding and also very woobie elves. I am a sucker for all variations of 'male drow gets surprised by being treated with basic decency, falls in love.' Feel free to go for whatever flavour of screwed up drow matriarchy you want. I kind of prefer it if the woman in this ship is a little reluctant at first, eg 'please stop looking at me like I hung the moon because I was vaguely polite to you,' 'do I have to take an actual person as a war prize? Are you sure the matron mother won't let the treaty go through if I don't? Ugh, fine,' before falling hard and being protective. I like the idea the idea that she really doesn’t want to keep someone, ugh, that is creepily similar to owning someone, can we not? But the drow is very insistent! He is coming with her! She is nice, and not terrible, unlike who he would end up returning to! She finds this even more off putting, because if he only want to follow her because she’s the least worst option--? And she tries her best to make it clear that he can just leave! She’s not going to stop him from just leaving and being a free man! (Which Drow initially just quietly boggles at.) Ideally they’d manage to work things out. She starts to like him (he’s kinda sweet, and even if there’s some culture clash, he’s a good guy), and he ends up not following her not because he feel like he has to follow someone, but because he actually likes her? And then the fall in love and it’s cute. Bonus points for said drow being a scarily competent warrior who got captured because She happens to just be a little bit more scarily competent (and the dice were a bit more in her favour).

Sha Po Lang

I am a sucker for political dramas with romance, steampunk, hurt/comfort, and that sort of ‘I’m going to fix the economy!’ sort of optimisation fic. Sha Po Lang was very much made for me.

Chang Geng/Gu Yun

I love this tiny adorable capitalist who once wrote a romantic letter that was a plan for a rail network. And he’s so whumped, too!

And I love Gu Yun, who is just as dramatic/performative as Chang Geng, and the ways he both plays into and tries to hide his disabilities at the same time.

If you write a fic that contains him, I will be very happy, but here are some suggestions if you would like them:

• I like hurt/comfort, and I am also a sucker for ‘I am hurt but also deeply isolated about it so I can’t get comfort.’ You can see why I would like the wu’ergu plot line. Fic about Chang Geng desperately trying to cover the problem would be great.
• I would not be averse to Chang Geng/Gu Yun smut. I find their dynamic of Chang Geng being quite kinky and Gu Yun being vanilla and Not Getting It very funny.
• I also admit to being a sucker for Chang Geng’s Caretaking Kink.

Vampires

Vampires SMP is a roleplay series made up of video series from the POVs of each character. New inhabitants have come to the abandoned town of Oakhurst, and awoken centuries old vampires. And unfortunately, now both human and vampires are trapped.

What follows is a tale of alliances, betrayal, poor impulse control, and things that make sense from your perspective but look stupid from other peoples’, as both the vampires and townsfolk a) try and discover a way to escape, and b) try not to die at the hands of the others.

I love the way perspective is used, and how there’ often a wide gulf in how people see themselves versus how other people see them. How no one gets to see what other people are like when they are soliquising alone, or how the affects of their actions after they leave the room.

I also love all the ‘hurt people hurt people’ going on, and the miscommunications, or the constant betrayals going.

Avid/Scott Goldsmith (Vampires SMP)

I did not expect to get into this ship as much as I did. One of the things I like is the way it starts out very antagonistic, with Scott messing with Avid because it’s funny and Avid is on to him, meanwhile Avid is terrified. And then Avid gets turned and Scott is… somewhat helpful, and Avid warms to him. You know the thing where sometimes someone has to throw out part of their morality, and then they become vulnerable to a particular kind of manipulation that "well this other part of morality is fake/ALL morality is fake"? This seems very much at play with Scott and his new adorable murder puppy.

I am a sucker for fluff with ominous foreshadowing, and also Avid following Scott around as a murder puppy while Scott is nice to him in very self indulgent ways.

Louis/Owen

We don’t actually get to see much of Louis, but what we do see has some interested implications. He’s definitely on the side of outcasts, but— we don’t know how “what if we just let them all burn?” Owen was before turning. There is a good chance Louis is deeply “BUT I CAN FIX HIM!”

But also, I do like seeing what people do with ‘free real estate’ characters like Louis, so if you want to do something else, go ahead!

I am a big fan of fluff with ominous foreshadowing, which great for this ship.

Apokuna/Cleo

These two are the ones who are trying to play both the side of the town and the castle off each other the most, with varying levels of success. And even in their first episodes, neither of them is comfortable or likes each other.

And you know what you should do, with two people who are similar but don’t like each other? MAKE THEM KISS!