Shitty First Drafts

[wolffyluna]

There's a common piece of writing advice that goes "Your first draft will be terrible. It will be the worst writing ever. It will be a steaming pile of bullcrap that even a dog wouldn't eat. But that's okay :D! Because your later drafts will be infinitely better :D!"

Okay, I'll admit to exageratting there. A little But I stil hate that writing advice. Deeply. I'm sure it's great advice for some people! I mean, I doubt it is, but that's probably me typical minding.

But that advice severely knocked about my writing confidence for several years, for no good reason.

You see, to my eye, my first drafts are fine. Sure, they've got rough edges, but they're basically okay. My second drafts and third etc drafts aren't necessarily that different? The prose might be a bit nicer, scenes flow together better, but there's no huge jumps in quality. They're pretty similar.

Which meant under the 'first drafts are shit' paradigm, one of two things was happening:

1. My first drafts were shit, my second drafts were not, I was just really bad at judging writing quality.
2. My first drafts were shit, my second drafts were also shit because they were not that different from the first drafts, and I should never try and judge the quality of literature ever again.

None of those were exactly comforting! And it really messed up my ability to be confident in my writing for some time.

I ended up getting myself unstuck by learning 3 things:

1. Any writing advice that makes it harder to write is bad advice.
2. Any writing advice or truism that cannot articulate why it is the case or why it is helpful advice should be treated as deeply suspect
3. I saw people actually articulate the use of the Shitty First Drafts Principle. It was about getting ideas down fast and freely without worrying about the quality of the prose, or whether the plot was consistent, or whatever.

I tend to write weirdly detailed outlines. Like, outlines that include individual lines of dialogue or rough sketches of dialogue, that level of detail. I find these useful because they let me get ideas down fast and freely, without worrying about making pretty prose, and let me fix any inconsistencies during the outlining phase before committing to a whole ass prose draft.

...So, basically what I was doing was making a shitty first draft, except I called it an outline.

But I still reject the framing of 'shitty first draft'.

1. Now that I'm more confident in my writing ability, I'm much more comfortable saying this: Do you want to call my work shitty to my face? Ooooh, you're just "generalising" and "including yourself as well" and "helping other artists". No. If you want to call my work shitty, say that in a review and provide citations. Do not say that kind of stuffy lightly, or without the understanding of the power behind it.
2. My outlines are not a first draft. They are outlines. They are not prose. And saying they're bad prose is like saying storyboards are bad animation. That's not how this works.

(...I didn't realise how strong my feelings were about this, or how swearing I would get. Sorry about that?)

(I think also the difference between the people this advice works for and me is that they find the idea that they can make writing that's "bad" or "shitty" to be freeing, while for I find that constricting.)

Comments

[yvannairie]

Honestly, as a person who primarily writes for myself (not even fic, most of the time -- half of my drafts are just "let's explore this one worldbuilding detail at excruciating length" like I'm trying to bullshit a literature essay except I Do This For Fun) I don't know how to approach the question of what is "worth posting". I write a lot more than I post, and while I haven't turned off notifications b/c it's fun seeing who likes my work, I also don't pay a lot of attention to it unless I'm trying to start a conversation or elicit a specific response. As soon as I have that, I forget about it, unless I get the urge to be my own fandom and go reread my own writing, which I love, a lot, because if I didn't I wouldn't have posted it. As it is, editing is more of a question of "when will I get sick of writing this thing", because frankly you can edit anything until literally the end of days, always finding something to change and tweak, but at that point you've probably been at it for so long that your text has gone through a whole evolutionary process to fit its ecological niche.

(Ha! I managed to make that bone metaphor connect :D)

I honestly don't know how others approach it, but... for me it's a texture thing. I have All Of It -- my thoughts and feelings, and biases, and connections I've made to other things -- in my head all the time, and when I blurt something out it's like making a random pouring of molten glass and then letting it sit there until I can start turning it around and examining to figure out What It Is. The editing process is like taking tools to that thing -- taking parts off, adding parts on -- to make it more of A Particular Thing, not just a heap of sensation and memory, but sometimes that's not what you want. Sometimes the thing is messy and has weird angles and is maybe even kind of unpleasant. I tend to not edit those, that are like that, because hell, if that's what the All Of It wanted to be then who am I to stop it?

I relate a lot to that Tumblr post that says writing is like being possessed by an idea and spending the entire time arguing with it, and I've also described my own brain as "constantly spinning, looking for angles through which I can see New Things in the mess of it" and sometimes my writing reflects that. Writing can be just as much an abstract excercise as any other thing.

(Admittedly, this is also just kind of where I'm at after spending like eight or nine years Telling Very Long Stories and writing Very Long Analyses and feeling unsatisfied with both my own response and the response at large to them. I guess I'll be better able to answer your question once I start feeling more like writing long, detailed and researched things :'D)

[chocochipbiscuit]

BONE METAPHOR BEST METAPHOR!!!!

As it is, editing is more of a question of "when will I get sick of writing this thing", because frankly you can edit anything until literally the end of days, always finding something to change and tweak, but at that point you've probably been at it for so long that your text has gone through a whole evolutionary process to fit its ecological niche.

Yeah, agreed. It's possible to just over-polish and keep thinking about minute edits I wish I could make—even for fics that I posted years ago and know I should just let them BE, other than glaring typos—but it's one of the reasons I tend to work better with self-imposed deadlines. I try to give myself "oh yeah, first draft should be done by the end of the month" or "finish this pass of revisions by next week" and meet those goals, which a) keeps me to a schedule, but also b) takes away some of that over-polishing because sometimes...a fic just needs to go out so I can focus on the next thing I want to write. There's a point of diminishing returns from working on the same thing over and over.