Romance Quest!: oh dear.
Jan. 29th, 2019 11:18 amIt is said that the worst six words a reader can say is "I don't care about these people." I have found a worse one: "I don't care about these rat-bastards."
In other words, I only got about 10 pages into The Kings Pleasure by Heather Graham.
One of the things that put me off the romance genre is because pretty much every novel I'd heard of (eg Fifty Shades or Twilight) the male lead was an abusive bag of dicks, but it was okay because he was protective (read: controlling) and really cared about her (read: still abusive, but the author hasn't noticed) and all the other male characters are worse (read: GAHHHH).
Adrien spends a large amount of his internal monologue thinking about how he really, really wants to strangle his wife-- and it's meant to be endearing, not a sign he might murder her?
But it's okay, because the only other named male character tried to rape her!
...I'm not against rape scenes, but seriously? In the first 10 pages? As a sort of generic peril for our leading man to rescue leading lady from?
The only good thing I got from this book was a chance to think about and articulate why I in particular don't like that attempted rape scene.
For one, I don't like rape scenes when they come across as "Quick, we need to put this female character in peril! What sort of perils do feeeemaaaaales get into?" I also find a lot of those generic-peril-attempted-rape-scenes break my suspension of disbelief. Maybe they shouldn't but they do.
And also, I find that rape scenes are something I need to trust the author with. I need to trust that the author will treat this with some sensitivity, that the author knows where they're going with this, that that scene is there for a reason and they thought about it-- and you don't get that trust in the first 10 pages. And putting a scene like that in the first 10 pages makes me trust the author less, because it means they don't realise there's a need for trust, if that makes sense? It's like they don't realise they're dealing with something heavy, and need to establish themselves as someone who can deal with heavy shit sensibly.
Also, I found it hella offputting that the author felt comfortable putting in an attempted rape scene, but not comfortable using the word 'penis' or any other non-euphemism for it.
no subject
Date: 2019-02-04 03:18 am (UTC)I *wish* that scene had him realizing "hang on, my intentions toward her are fucked up, the way this guy was molesting her really upset her, maybe I should try backing off from my so far extremely aggressive flirtations so that I don't actually hurt her the way this guy I hate did??" but I'm guessing it doesn't.
And "Not A 'Rapist'*" (complete with asterisk) is such an accurate term for a certain brand of hero. It's like a player character in a standard video game who's been tasked to take down a "bandit" -- the player character has been killing people and taking their stuff this whole time, but we aren't supposed to notice that part. It's... hm. A story role disconnected from the actions that would logically establish it?
Which makes me think of every shallow het romance subplot ever, honestly. And how characters can be "busy people" but not actually have anything to do, or not have anything to do that gets in the way of the plot. Informed attributes; passionate simulation; did not do the research.
A rule of thumb: arranged marriages should not make one's job as an author *easier.*
no subject
Date: 2019-02-04 07:13 am (UTC)Yeah, the whole Not-A-Rapist seems to come from authors that don't, hmm, think through the implications of what they wrote? Similar again to the bandit-taking down heroes, where you can tell the author didn't think about what a bandit actually is.
(I'm kind of annoyed, because the blurb made it sound like neither character particularly wanted an arranged marriage, which a)is a less creepy alternative of one being really into it and the other not and b)I thought was going to lead into a plot of both of them going 'I'm not thrilled about this, but I am going to make it work, FOR KING AND COUNTRY' which could have been fun.
A: Oh, I guess this arrangement hasn't been so bad. They're competent at running their lands, and a decent enough fellow. It is all worth it to uphold my country.
B: Oh, so it's obligation that's making you stare dreamily at them when they're not looking?
A:...FOR KING AND COUNTRY.)
no subject
Date: 2019-02-05 03:30 am (UTC)Yes, that. But the overall pattern isn't just one of unsatisfying, mediocre writing; it's, hm, like stereotyping? It *creates,* or at least helps sustain, the real-life social role of the "good guy who's not afraid to push women's boundaries."
You were looking for fandom style tropey arranged marriage... and got an awkward un-self-aware dubconfest. What a mess.
Reminds me of my adventures in trying to find slavery-themed fic that recognizes that healthy shipping involving people whose autonomy has no legal or social weight is *difficult.* Not even "handle it accurately and respectfully" but just "recognize that it's difficult."
no subject
Date: 2019-02-05 05:41 am (UTC)And double agree with the stereotyping thing. It also helps maintain the related role 'controlling guy who's controlling because he caaaaaaaares'
I haven't run into a lot of slavery fic, but I imagine that would be a tricky needle to thread. (On a tangent, it seems like slave fic often runs into the issue that 'something that resembles real life slavery, and rl consequences of slavery' and 'look, we're just going to ignore the implications because they get in the way of the tropey/sexy fun, okay?' have to share a tag.)